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Robert Holmes
has been exhibiting sculptures over the past twenty-five years
in the United States, Europe, and Asia. Holmes' work is represented
in galleries throughout the States. The artist has had numerous
one-man, group, and invitational shows. Many private and corporate
collectors worldwide own and enjoy his art.
"Robert
Holmes, although self taught, is intuitively dead center of
the development of modern sculpture The restless, thrusting
energy of Rodin, the abstraction of Brancusi, the expressionism
of Lachaise, the symbolic power of Moore, are all echoed in
his work."
--
Richard Warren, Art Historian- Princeton University, Stanford
University, San Francisco State University, Curator of the Gualala
Arts Center's "Robert Holmes Retrospective 1941-1998"
The artist obtained
a Civil Engineering degree and architectural training from the
University of Arizona. Because of these skills, Holmes has the
technical expertise to interface easily with designers and architects.
Both disciplines are evident in the structural elements of his
technical prowess.
"The grace
and serenity of his human abstractions attest to a master's
command of his medium and a sublime artistic sensibility. Robert
Holmes' all too rare achievement is that of distilling the human
form to its essential elements and capturing, within those essentials,
postures of truly poetic feeling."
--
Review by David Betz, Assistant Director, Vorpal Gallery Soho,
New York.
Uplifting emotions
are a central theme in the work and as Holmes says, there is,
"No politics, no horror, no shock, no ugliness. There's
enough of that in the world!" Through the human form, Holmes
conveys a Zen like serenity, grace, optimism, and strength.
In alignment with this focus, UBS Warburg Bank in London and
Paine Webber has recently acquired Holmes's "The Dancers"
as the public face on their brochures. They feel this sculpture,
which is installed in the UBS Bank in London, is a symbol of
their new merger, "the art of the possible."
The artist has
his foundry, Bronze + Inc. in Sebastopol, California, fifty
miles north of San Francisco and his residence and studio at
The Sea Ranch, which is further north on the California coast.
Holmes feels he has control of the quality and precision of
the casting process by owning a foundry. There, he creates semi-abstract
cast bronze figures in limited editions of 3 to 12, which range
from table-size to larger-than-life. Holmes has this to say
about his work: "My work is my statement. I don't believe
that words go very far in describing sculpture. I would rather
let people see my work itself and interact with it in their
own way."
Jayne McGuire,
in her review of Holmes' work for the August 2000 edition of
Décor and Style Magazine, states: "Holmes' contemporary
figurative work, especially his life giving female figure, expresses
a nurturing, universal quality which celebrates the joy of being,
the joy of movement, and our basic human need for 'connectedness'.
A consistent vitality is present in all of Holmes' figures,
evident in the graceful movement of his dancers and runners,
and in the solitary stillness of his reclining and seated figures."
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