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John-Mark Gleadow was born in Milford, Delaware on
April 4 th , 1976. Except for the period he attended the University
of Delaware in Newark, he's lived and worked in Lincoln, Delaware.
With his formal art training
ending in the fourth grade, the focus of John-Mark's schooling
culminated with his being accepted into the University of Delaware
as a Mechanical Engineering major. He had also received a congressional
nomination to attend West Point. Loathing the technical restraints
of engineering, John-Mark changed majors to what is purely design
– art. Never having painted before and mainly having experience
only with graphite, John-Mark was initially discouraged by his
lack of control over oil paint and even stopped attending his
Intro to painting class. But mainly by spending time by himself
in the studio, he began to gain control over the new medium
so that his final project for the class was accepted into year's
juried undergraduate show at the university – where it
won the painting award, and eventually sold for $1,000 at a
Washington, D.C. gallery. John-Mark went on to graduate with
a Bachelor of Fine Arts degree with a concentration in painting
in the winter of 1999.
With the support of his family
John-Mark has worked as professional artist since graduating
from college. He's shown his work with galleries in New Mexico,
New York, Baltimore and Washington, D.C., along with galleries
in his home state in Wilmington, Dover and Rehoboth Beach. Along
with the awards his work has garnered over the years, John-Mark
was also the honored recipient of an Emerging Artist's Grant
from the Delaware Division of The Arts in 2002 and a $15,000
Fellowship from the Savannah College of Art and Design awarded
him in 2005.
John-Mark's earliest influences
were Rene Magritte, Salvador Dali and the Dutch Master Ver Meer.
The technical proficiency of these artists coupled with their
stunning imagination is what initially drew John-Mark to them
and also caused him to strive to attain the same level of craftsmanship
and originality in his own compositions. Dissolving the picture
plane has always been a primary objective of his work: seeking
to convince the viewer that what he's depicted is more than
what a photograph could be – that there's actually life
in the work itself.
Since the fall of 2005, the artist
has been represented by Discovery Galleries in Bethesda, Maryland
for whom he's been producing paintings done in black and white
of events and scenes from the 1920's – 1960's.
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