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SPRING IN THE 100
ACRE WOODS
Giclee on canvas
30 x 24 inches
edition size: 495 |
SUMMER
IN THE 100 ACRE WOODS
Giclee
on canvas
30 x
24 inches
edition size: 495 |
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THE JOY OF AUTUMN
LEAVES
Hand Embellished
Giclee on canvas
15 x 21 inches
edition size: 195 |
A VERY
BLUSTERY DAY
Hand
Embellished
Giclee on canvas
12 x
16 inches
edition size: 195 |
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BEAUTY AND THE BEAST
CASTLE
Chiarograph on Paper
13 x 7 inches
edition size: 295
Deluxe edition w/ Remarque:
95 |
CINDERELLA
CASTLE
Chiarograph
on Paper
13 x
7 inches
edition size: 295
Deluxe
edition w/ Remarque: 95 |
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FEED THE BIRDS
Chiarograph on Paper
13 x 7 inches
edition size: 295
Deluxe edition w/ Remarque:
95 |
SLEEPING
BEAUTY CASTLE
Chiarograph
on Paper
13 x
7 inches
edition size: 295
Deluxe
edition w/ Remarque: 95 |
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Introducing the Collaborative Art of Peter and
Harrison Ellenshaw.
As a visual effects
designer and filmmaker, Harrison Ellenshaw's work can be seen
in such films as STAR WARS, TRON, THE EMPIRE STRIKES BACK, CAPTAIN
EO, DICK TRACY, and many others. He has also had a successful
career as an artist with one-man shows of his paintings in London,
New York, and San Francisco.
Peter Ellenshaw has received
five Academy Award nominations, winning the Oscar�
for his stunning recreation of Edwardian London in the Walt
Disney's classic, Mary Poppins. Throughout the years, Ellenshaw
has sought to capture the drama and emotions of many different
scenes. His work is represented in both public and private collections
worldwide. He has received numerous honors and retrospectives
including those by the American Film Institute, the Museum of
Modern Art in New York, the Film Institute of Chicago, the Academy
of Motion Picture Arts and Sciences, the R.W. Norton Art Museum
in Shreveport, Louisiana and has been bestowed the illustrious
title of "Disney Legend."
In their first creative collaboration
since Disney's, "The Black Hole" (1979), Peter &
Harrison Ellenshaw came together to create "We can Fly".
Their first in a series of collaborative works celebrated the
50th anniversary of Walt Disney's, "Peter Pan".
Their second piece was "20,000
Leagues Under the Sea," which according to Harrison, "was
my introduction to Hollywood, at least to the Disney style of
epic movie making. This was an exciting time, seeing my father
involved in one of Walt Disney's most successful live action
films."
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